The season though still seems more interesting and then I knew why: director Angela Robinson (D.E.B.S., Herbie: Fully Loaded, Girltrash!) is on-board. I rest my case.
There have been a lot of recaps of all the L-Word seasons, so mine will just be short:
Bette (Jennifer Beals) and Tina (Laurel Holloman) are getting along (quite well, I note), nursery school hunting, competing with other gay parents (playing the “my family’s gayer and more diverse than yours” game and winning), trying to survive interviews with nursery school heads, surviving Bette’s sometimes soccer-mom-hair and trying to navigate the murky waters of lovers-n0w-exes and trying not to be interested in each other’s love and sex lives. I still adore these two though (since Season 2), and they still look like the hot MILFs that I adore.
Helena Peabody (Rachel Shelley) has been arrested and imprisoned for that gambling thingamajig from Season 4 with that hot gambler chick in the ultimate cheesy, campy same sex prison-movie kind of plot that, to actor Rachel Shelley’s credit, she can pull off with just the right amount of comic aplomb, right down to the “bend over” scene.
Jenny Shecter (Mia Kirshner) is back from floating off in a raft on the sea (I know, WTF, right?) from Season 4, with a revised script, a new daddy, hedge fund billionaire William Holsey (Wallace Shaun) who share her love of manatees in the script and in real life. In this episode, she is driving her Episcopalian, church-loving assistant mad with her insane requests regarding her pet dog, Sounder II (Sounder I being the dog from the ill-advised Season 4) and requests to make rainbow-based filing systems for her fictional characters on Sundays, and driving her executive producer, Tina, nuts with her refusal to accept sticky notes and criticism on her script since she believes Tina has no right to criticize Jenny’s work since Tina is not an artist herself (although I think Jenny seems to forget that Tina has been with art gallery owner/dean/art collector Bette. Jenny seems to have forgotten the scene after the opening credits of this episode, where Tina has just announced her fervent love of art…what? You’ll get what I mean when you see some scenes of “Lez Girls”later on, where whole scenes from “The L-Word” ’s season 1 seem to be lifted off, which implies that Jenny seems to be omniscient). Bette, who still is not amused by Jenny’s point-by-point adaptation of Bette’s life, is still cold towards Jenny, something that Shane (who has proven, time and time again, to be the only person who gets Jenny) tries to resolve but fails to do so.
Alice Pieszecki’s (Leisha Hailey) chart has expanded to OurChart.com, with Max Sweeney (Daniela Sea) turning her chart into a social networking site, complete with blogs, guestbians and podcasts. She holds her podcasts at the Planet, with weekly “guestbians” entertaining her viewers. Alice though, seems to have entered a phase of trans-phobia, pointedly excluding Max from podcast discussions of transsexual issues (which does not make sense to me). Alice’s girlfriend, Tasha Williams (Rose Rollins) is absent in the episode except for the last few minutes, since she was supposed to ship out to Iraq. The military though delays her departure and she gets to spend that time to give Alice a surprise visit/booty call, ending up doing it in Alice’s hallway (But! The dust! The dirt! The grime! Aw, crap!).
In this episode, Alice gets Bette’s boss, newly-out middle-aged lesbian academic Phyllis (Cybill Shepherd, Moonlighting) who is currently enjoying a very healthy sex life with new partner, gay lawyer Joyce Wischnia (Jane Lynch, Glee), who, as it happens, seems to the be only lesbian lawyer in LA. Phyllis has become an apt pupil of encyclopaedia lesbiana/lesbian culture, absorbing every term and practice (lipstick lesbians! butch lesbians! u-hauls! the “T” in LGBT (T is for tentative! Yay! Cheeky!)! transsexuals! vanilla sex! etc.) like a sponge. She has even agreed to a coming out party at the Planet sponsored by partner Joyce and slammed Alice’s vanilla sex ways. Yep, Phyllis is on a roll!
Shane McCutcheon (Kate Moennig) is apartment-hunting with Paige (Kristanna Loken, Terminator III: Rise of the Machines a.k.a., Android Erection), but really is just back to her old habits, screwing the real estate agent in apartment that Paige and son, Jared are checking out (ho-hum…Shane’s M.O. is old). Can you blame Paige for burning down Shane’s salon/skateboard hang-out after?
Bette is still going strong with Jodi Lerner (absolutely fab Marlee Matlin, Children of a Lesser God), kissing whenever they can, sending aforementioned ex, Tina, into subtle fits of jealousy. It does not help that Tina’s possible love interest from last season, Kate-Somebody has been fired from the studio, and Bette seems to alternately gloat and look relieved at the idea that her ex is single and very available. What Tina does not realize though is that all is not well in Bette’s paradise, since not only does she lack heat with Jodi, but Jodi does not seem to find Bette’s surprise dinners for her and general control freak behavior as adorable as Tina (and the rest of us) does. Plus, Jodi blindfolding Bette during sex is kind of the equivalent of watching soccer moms have kinky sex, so Tina should not have to worry.
Tina, sans her longing for hot fellow-MILF and ex, Bette (The Hotness!), is on a roll herself, as a movie studio mogul (executive producer and vice president at Shaolin Studios), who seems to have the magical ability to juggle Jenny’s craziness with that of her colleagues and bosses and friends (Alice, Shane, Helena). Best scenes: when Alice and Shane try to help her hook up, banning her from hanging out with Bette too much because that dims her prospects of ever getting laid ever again, when Alice and Shane try to help her hook up with a hot academic at Phyllis’ coming out party at The Planet, when Alice and Shane argue with her about Helena during a jail visit, where Tina insists that since Helena’s an alpha female, she must thus, heretofore assert herself on fellow prisoners so as to establish rule over her prison-kingdom. Best advice they give Helena: “Don’t drop the soap.”
Overall a strong first episode for Season 5, although I had, at first, some suspicions and misgivings, afterall, this is the L-Word, where somebody suddenly mysteriously dies of cancer, somebody suddenly grows a penis, a man can be a lesbian, and..you get what I mean.
Anyway, some notes though:
1. Angelica, Bette and Tina’s daughter, is the cutest kid ever. I wish she had more lines and more screen time with the moms. Next note: Why are Bette and Tina always at parties?!? I’m unmarried and childless, but judging from my friendships with married and/or with-children (gay and straight) couples, their priorities always change once the kids start coming. They don’t party or much less find time to do anything else. I have this feeling Angelica will be raised by nannies/babysitters til she turns 18, at which point she’ll realize she hates her lesbian moms and starts going on a rampage. But then again, that’s just me. And while we’re on the subject, these people don’t seem to be normal. I have never, not once, seen them do anything domestic, like most normal LGBT people are.
2. Jenny, I’ve missed you. Why did you have to die?!?
3. Shane still going at her lothario-loving ways. Shane, grow up.
4. Kit Porter. Watch the whole season, hell, the whole show, and you’ll notice that her speech always consists of “Girl”, continues with [insert short opinion here, in slang] and ends with [uh-huh/mhhmm].
5. Is Jenny omniscient?
6. Poor Max. Always being excluded. I wish he could have had some kind of more interesting, positive ”Trans-America” storyline where he gets to show off his chest, abs and newly acquired organ.
7. Angela Robinson. ‘Nuff said.




7. Because Nietzche taught me that existence precedes essence.
L-WORD DVD Marathon: Season 5, Episode 4
December 23, 2009 · Leave a Comment
EPISODE 4
Before the opening credit: Yet another snippet from the ill-advised “Lez Girls” production (because, really, do you really want to see the same old story on a movie when you can actually just go get your “L-Word” DVD of Season 1 and watch that instead?), this time of the auditions for who would be playing Jesse, who essentially is the barely-fictionalized Jenny. Thus we have scenes of actresses auditioning for what we are made to believe is a very coveted role (although I mostly think this is just Jenny’s version of reality).
In this episode:
Kit is taking up self-defense classes since she got naturally spooked by the robbery in the last episode (although I still think she should improve her cash-handling skills first…and why does she not have security as well?!?). That entails, of course, the whole gang going with her, meaning Tina, Bette, Jodi (but no sign of Tom anywhere), Alice, Jenny, Shane, Shane’s missing vagina (don’t look at me, I don’t write this sh*t). Where, pray tell is baby Angelica? My only answer is, I don’t know. And anyway, being the self-sufficient that she is, she probably already knew self-defense, despite dialogue to the contrary between her parents Bette and Tina.
During the class, a series of conversations ensue: Jenny finds out Natalie Portman passed on the Jesse/Jenny starring role in her “Lez Girls” movie (which is kind of funny for me, because the likelihood of the actual Natalie Portman starring in an all-lesbian sex-fest movie is about as likely as the actual Natalie Portman actually guest-starring in “The L-Word”. But namedrop Christina Ricci and it would have been a whole different ballgame) and is so unhappy about it she hits Tina a bit too harshly. Bette finds out Tina had a hot date and one-night stand with the surgically augmented heart surgeon and hits Jodi a bit too harshly. Moreover, Bette and Tina find themselves partners in a demo of a self-defense move, and you can literally feel the sexual tension oozing from their pores. What are the odds Jodi will be out of the picture anytime soon? Shane is called by the instructor for a demo and this obviously does not bode well for the trying-to-be-celibate-lothario.
Meanwhile, Alice’s lack of supervision on her website, OurChart.com encourages Max to sneak in her two-cents’ worth about FTM transsexuals. Alice eventually finds out, reprimands her, reluctantly offers her a guest column, but not without further alienating Max by telling her it’s a lesbian website, not a website for transsexuals. Alice’s unhappiness about Max’s guerilla-type tactics are soon forgotten when a couple of military investigators barge into her apartment, intent on proving that Tasha is gay simply by association with the very out Alice. Visibly ruffled by the visit, Alice tries to de-gay-ify her apartment more so as to pass for straight. This, in turn, freaks Tasha out, sending her on a rampage and a midnight visit to her uncooperative legal counsel, who, as it turns out, is not only uncooperative, but uninformed, in the dark and severely homophobic. An imlied confrontation with aforementioned legal counsel and his wife though has implied a change of heart for said legal counsel when he ends up on Alice’s doorstep talking to Tasha, who,as it happens, has spent the night with Alice. In her room. Buck nekkid. I don’t know how these things work, but if Tasha is supposed to be lying low, why is she spending the night with the gayest woman in LA?
Meanwhile, Bette has her hands full with a complaint from an art student about another art student who staged a performance art session involving a fake gun infront of Jodi’s class. Jodi is unfazed, Bette is annoyed to reprimand her and skip a possibly dirty night with her (well, only as I gleaned from Jodi’s gestures, which,in retrospect, look really dirty. Still not feelin’ the heat between these two. They have about as much heat as two ajumas talking about the weather).
Tina, on the other hand, is busy trying to keep her sanity while her dickhead boss and Jenny argue about which actor should play Jesse/Jenny, showing complete control even as Jenny, high on nicotine gum, spits her gum on the table, and while Jenny’s new assistant, Adele tries to ever so carefully insinuate herself into the proceedings (Points for Tina for looking hot as these proceedings are going on).
Shane, meanwhile, is failing miserably, at this celibacy thing. We can see this from her seeing naked women all around where there is none. Kit’s one-liners and pie don’t help either. To take her mind off sex, she invites Jenny to a new club (this two look good together as friends…together they almost seem…normal, somehow), She-Bar, owned by a couple of party-loving lesbians, Dawn Denbo (Catherine Keener) and her lover, Cindy (this is actually their introduction to anyone who cares to listen – and it never gets old, and it always makes me feel like laughing hysterically everytime I hear it).
At the She-Bar:
Bette and Jodi arrive, followed by Kit, then Tom, then Shane, Jenny, Jenny’s assistant, starlet Nikki Stevens (Kate French) the one replacing Natalie Portman (apparently) as the star of Jenny’s “Lez Girls”. Tina and her heart-surgeon date are already there, apparently already having fun. There, they meet Dawn Denbo and her lover, Cindy who, as I already mentioned, introduces herself as “Dawn Denbo and this is my lover, Cindy”.
Bette, Kit and Jodi already find the She-Bar scene old and try to leave, but Bette needs to stay behind since she promised Shane she would not leave without her. Shane, meanwhile, is busy shagging Dawn Denbo and her lover, Cindy in the VIP lounge, so I guess it’s safe to say that that celibacy thing is over. Jenny and starlet Nikki are busy trying to like each other, courtesy of Adele, who arranged the meeting between them. Meanwhile, Tina is hiding from her party-loving heart-surgeon date, realizing that She-Bar and partying is so not her scene as well (three words: Angelica Porter-Kennard. Who must already be racking up issues to discuss with her therapist once she’s old enough to afford her own). This is where Bette finds her, in one of the thinly-veiled rooms, where she confesses her aversion of bar-hopping and partying to Bette. This confession leads to an unexpected, long-awaited kiss that is very much worth it all throughout.
Notes:
1. Lez Girls – How do you pronounce it anyway? It’s spelled Lez Girls, so I assume you pronounce it with the /z/ but everyone keeps pronouncing it the French way, like Les Girls (like Les Miserables), so I’m confused. Then again, it’s not even appropriately titled. If it were, then Tina and her dickhead boss would have less of that “it’s-not-marketable!” arguments.
2. Angelica – where art thou?!?
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Tagged: Entertainment, Jennifer Beals, Laurel Holloman, lesbian TV shows, Mia Kirshner, TV shows